Thursday, November 14, 2019

Beginnings: Celebrated by Susanne Nielsen sculptures and Glenn Nielsen - Photography



Beginnings....
focusing on life and its manifestations  - from the beauty of pregnancy to birthing and the child.
Sculptures by Susanne Nielsen and photographs by Glenn Nielsen - Joint Theme 1916-18

Collaboration 2017-19

An exhibition at the gallery in Tampa of the birth themed art of Susanne Nielsen paired with the photographs of Glenn Nielsen's Tampa Beginnings (www.Tampabeginnings.com) -
sculptures and soft sculptures, from the Vessel series and Gasparilla Festival of the Arts exhibitions of the past years by Susanne Nielsen,
Tampa, Florida.

___________________________________

Radioshow info Susanne/Glenn

Intro to week 1 radio show: INTROLINK1

Intro to week 2 radio show: INTROLINK2

Intro to week 3 radio show: INTROLINK3 see if works, as I put in different word, two to three

Intro to week 4 radio show: INTROLINK4

Intro to week 5 radio show:INTROLINK5

exit to week one radio show: LINK1

exit to week 2 radio show: LINK2

exit to week 3 radio show:LINK3

exit to week 4 radio show:LINK4

exit to week 5 radio show:LINK5

Susanne Nielsen's "Hollywood Goat" for the Grady Goat Foundation's Project G.O.A.T.



Susanne Nielsen's "Hollywood" Goat - created 
for the Grady Goat Foundation's Project G.O.A.T. -
Global Offensive Against Trafficking. 

Florida Artist Scott Joseph Moore created the original sculpture. The quote of the foundation, that "Bill Gates wrote, that goats are helping to empower women in the poorest areas of India - a country where women are frequently trafficked for purposes of sexual exploitation and forced labor.." was the incentive to work with the foundation to volunteer as artist.

                                          Susanne Nielsen with the goat before she painted it

This project is both Humanitarian and fun, as the goats are painted, then find ambassadors and sponsors - the Grady Goat Foundation works with Humanitarian causes such as the fight against Human Trafficking and child Abuse.

The theme for me was Hollywood stars, the Hollywood sign and I added the star for the foundation owner's favorite star, Marilyn Monroe. Similarly Marilyn and Audrey Hepburn both are among the stars featured on the goat.

The autograph cards and the unforgettable beauties of the Golden Era of Hollywood -
were inspiration. The B/W glamour shots and old posters had found colorful representations as they covered the back of the fiberglass sculpture. From stars to starlets to girl next door - and a very festive goat, all the glitz also points to the often difficult lives of women in Hollywood. Careers that were not so glamorous as they seem.


Here are some of the biographies of these stars, considered the very best in the Golden Era of film, the stuff of technicolor and in people's dreams!

Hollywood Goat - An Introduction:
Susanne Nielsen took a journey through Hollywood and captured her impressions in form of old autograph cards  and photographs,  which she colored inspired by the star photos of Natalie Wood and Marilyn Monroe – red lips and rosy cheeks, blond to brunette  - with their deep and longing gazes – the studio look of the glamour queens of the Golden Era of Hollywood – the 1940s and 50s.

The main “Leading Ladies” are: (information from Wikipedia)

Ava Gardner (December 24, 1922 – January 25, 1990) was an American actress and singer. Gardner was signed to a contract with Metro-Goldwyn-Mayer in 1941, and appeared mainly in small roles until she drew attention with her performance in The Killers (1946). She was nominated for the Oscar for Best Actress for her work in Mogambo (1953), and also received BAFTA Award and Golden Globe Award nominations for other films.
Gardner appeared in several high-profile films from the 1940s to 1970s, including The Hucksters (1947), Show Boat (1951), Pandora and the Flying Dutchman (1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956), On the Beach (1959), 55 Days at Peking (1963), Seven Days in May (1964), The Night of the Iguana (1964), The Bible: In the Beginning... (1966), Mayerling (1968), Tam-Lin (1970), The Life and Times of Judge Roy Hampton Court Maze (1972), Earthquake (1974), and The Cassandra Crossing (1976). Gardner continued to act regularly until 1986, four years before her death in London in 1990, at the age of 67. She is listed 25th among the American Film Institute's 25 Greatest Female Stars of Classic Hollywood Cinema.

Natalie Wood (born July 20, 1938 – November 29, 1981) was an American actress who began her career in film as a child and became a Hollywood star as a young adult. Wood received three Oscar nominations before she was 25. She began acting in films at age 4 and was given a co-starring role at age 8 in Miracle on 34th Street (1947).[2] As a teenager, she earned a nomination for the Academy Award for Best Supporting Actress for her performance in Rebel Without a Cause (1955), followed by a role in John Ford's The Searchers (1956). She starred in the musical films West Side Story (1961) and Gypsy (1962), and she received nominations for the Academy Award for Best Actress for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). She was married to actor Robert Wagner. Her films represented a "coming of age" for her and Hollywood films in general. Critics have suggested that Wood's cinematic career represents a portrait of modern American womanhood in transition, as she was one of the few to include both child roles and roles of middle-aged characters. Wood drowned off of Catalina Island on November 29, 1981, at age 43.

Audrey Hepburn (born 4 May 1929 – 20 January 1993) was a British actress and humanitarian. Recognized as a film and fashion icon, she was ranked by the American Film Institute as the third-greatest female screen legend in Golden Age Hollywood, and was inducted into the International Best Dressed List Hall of Fame. She rose to stardom in the romantic comedy Roman Holiday (1953), alongside Gregory Peck, for which she was the first actress to win an Oscar, a Golden Globe Award, and a BAFTA Award for a single performance. She went on to star in a number of successful films, such as: Sabrina (1954), in which Humphrey Bogart and William Holden compete for her affection; Funny Face (1957) a musical in which she sang her own song parts; the drama The Nun's Story (1959); the romantic comedy Breakfast at Tiffany's (1961); the thriller-romance Charade (1963), opposite Cary Grant; and the musical My Fair Lady (1964), which won the Academy Award and BAFTA for Best Picture. In recognition of her film career, she received BAFTA's Lifetime Achievement Award, the Golden Globe Cecil B. DeMille Award, the Screen Actors Guild Life Achievement Award, and the Special Tony Award. She remains one of only 15 people who have won Academy, Emmy, Grammy, and Tony Awards.

Lauren Bacall (born September 16, 1924 – August 12, 2014) was an American actress known for her distinctive voice and sultry looks. She was named the 20th-greatest female star of classic Hollywood cinema by the American Film Institute and received an Academy Honorary Award from the Academy of Motion Picture Arts and Sciences in 2009 "in recognition of her central place in the Golden Age of motion pictures". Bacall began her career as a model before making her film debut as a leading lady in To Have and Have Not (1944). She continued in the film noir genre with appearances with Humphrey Bogart in The Big Sleep (1946), Dark Passage (1947), and Key Largo (1948), and she starred in the romantic comedies How to Marry a Millionaire (1953) with Marilyn Monroe and Betty Grable, and Designing Woman (1957) with Gregory Peck. She co-starred with John Wayne in his final film The Shootist (1976) by Wayne's personal request. Their daughter Leslie Howard Bogart (born August 23, 1952) from the marriage to Humphrey Bogart is named after the actor Leslie Howard and is a nurse and yoga instructor.

Susanne with her Bengali Brides project, stemming from her South Asian experience in the early 2000s. There she worked with Rotary on local, regional, and global grants to support a number of Humanitarian causes from cancer clinic, an orphanage and a sewing training center for women.

Thanks for the opportunity to contribute art to this project to the Grady Goat Foundation in December of 2019.

Susanne Nielsen, PhD




Monday, April 8, 2019

Art Bus Project Wiesbaden, Germany


 12 panels original acrylic paintings installed for two months in city bus. This bus drives regular but various city routes.

Exhibitions - North Carolina


Arlington Hall Exhibition, Greenville, NC
                                             Paintings (water media) and "Dancer" sculptures

                                                 Paintings (water media) and "Dancer" sculptures

Hand-painted Silk - large Paintings - and wearable art


                                                       Key West painting on silk 5' x 5'



Indian Beads and Braids Motiv


Orchids Motiv
                                               

Friday, September 14, 2018

Vessels of life - Mixed media Sculptures


                                           

Winner of Best in Show , Montgomery Museum of Fine Arts 

Corseted - Studio Art Quilts US exhibition 

One Tampa City Center installation 

Large scale Sculptures


"Vessels," Gray Gallery, ECU, North Carolina

Women and Magnolias - Paintings

                   Susanne Nielsen with "The Sinner" ( Die Suenderin) of the Women & Magnolias Series


                                         Women and Magnolias - Paintings 
                               of the Women and the Southern Iconic Flower
Tampa based artist Susanne Nielsen has been chosen as one of a small number of artists to show five of her paintings of her series titled “Women and Magnolias” in the upstairs galleries of Ruth Eckerd Hall from March through May 2012. The artist based her theme on the image of women in advertising of the 1950s and 60s combined with the beauty of the Magnolia blossoms of the American South which the international artist has called home for many years.  The style of intense color and line used in advertising of past eras, portraying women in pencil skirts combined with ad text fragments and an overlay of white magnolia petals allow multiple layers of interpretation.
The artists exhibiting in this exhibition that can be viewed with paid admission to Ruth Eckerd Hall.

                                                     "We Women make a Difference" ( Auf uns Frauen kommt es an)

Florida Sun Magazine published a story in conjunction with this exhibition March 9, 2012. It can be read (in German, or copy and paste into google translator) at:   www.floridasunmagazine.com.
and permanently at:

US-German Florida publication article about Susanne Nielsen, artist (and radio broadcaster)
                                                                           
US-German Publication published article on this exhibition"http://wochenpostusa.com/2012/Susanne%20Nielsen.htm, on the show.
Information regarding the exhibition is at:

                                                            A Perfume from Paris ( Ein Duft aus Paris)
             Deutsch-Amerikanische  Kuenstlerin stellt in Clearwater, Florida aus
Die Malerin/Bildhauerin Susanne Nielsen, die zwischen ihrer Heimatstadt Wiesbaden und Tampa, Florida pendelt, wo Sie Kunst- und Kulturgeschichte am St. Petersburg College lehrt, stellt zusammen mit einer kleinen Gruppe von Kuenstlerinnen fuenf ihrer Bilder aus dem Zyklus “ Frauen/Magnolien” in Clearwater, Florida aus. Zusammen mit den Werken elf weiterer Kuenstler wurden  ihre Werke ausgewaehlt, in den oberen beiden Galerien der Ruth Eckerd Hall, einer von drei grossen Theater-Hallen der Tampa Bucht von Maerz bis einschliesslich Mai 2012 ausgestellt zu werden. Kunst- und Kulturliebhaber, die die zahlreichen Theater-, Broadway- und Konzertauffuehrungen besuchen, haben freien Zugang zu den Galerien. 
Susanne Nielsens Malerei-Thema  Frauen/Magnolien basiert auf dem Frauenbild der 50er und sechziger Jahre, die die im Ausland gross gewordene Kuenstlerin in Deutschen Zeitschriften, die die Familie waehrend ihrer Jahre in Reykjvik , Island regelmaessig las, sah.  
 In ihren Bildern zeigt Nielsen elegante Werbebilder von Frauen mit dazugehoerigen Werbetextfragmenten , die das stereotypische Frauenbild vergangener Zeiten darstellen. Endlich ueberlegt Nielsen jedes Bild mit den gemalten Bluetenblaettern sudstaatlicher  Magnolien, die die Form der weiblichen Silhouette ihrer Werbefiguren betonen. Diese bedeutungsvollen  Blueten des Amerikanisdchen Suedens , wohin Nielsen von Europa hinzog, tragen ebenso wichtigen Symbol-Charakter. Die Kuenstlerin fasziniert die visuelle Ausdruckskraft und die duale Symbolik der Magnolie.
Bei ihren Recherchen zur Kunst- und Kulturgeschichte, die Susanne Nielsen am St. Petersburg College lehrt, befasst sie sich seit langem mit der Geschichte und Ikonografie des amerikanischen Suedens. In ihren Bildern und drei-dimensionalen mixed-media Werken kombiniert Nielsen oft intensive Farbe und starke Linien, so typisch fuer die Werbebilder  frueherer Zeiten  mit Textfragmenten in verschiedenen Sprachen, und organischer, geflochtener Textur und Materialien, die eine vielschichtige Interpretation zulassen.
                       Susanne at the opening reception at Ruth Eckerd Hall, Clearwater

Die Ausstellung der Werke der 12 Kuenstlerinnen, wurde von Besuchern der Ruth Eckerd Hall von Maerz bis Ende Mai 2012 in den Galerien des ersten Stocks besichtigt.